Benedict’s Legacy: Sex, lies, and the sordid history of the Catholic Church – Michael Moynihan

Benedict XVI

Michael Moynihan“What’s peculiar about the Roman Catholic Church is that at the heart of its doctrine is a lie—the lie of forced celibacy. One of the former priests … did a study for the church to try to understand the sex lives of priests and found that over 50 percent of priests, that he could ascertain, were not observing celibacy.” – Michael Moynihan

Alex Gibney’s Mea Maxima Culpa, tackles the Catholic Church’s sordid history of sex abuse. Michael Moynihan talks to the director about forced celibacy and the pope’s complicity.

Gibney’s most affecting films scrutinize institutions he considers irredeemably corrupt—the United States government, the lobbying industry, the war on terror. With Mea Maxima Culpa, he turns his critical lens on the child-molestation scandals that have consumed the Catholic Church, along with the church’s shameful record of denial, obfuscation, and omertà. Gibney, whose late father-in-law was the Rev. William Sloane Coffin, the famous radical theologian, focuses on the Rev. Lawrence C. Murphy, a Roman Catholic priest in Milwaukee who sexually abused hundreds of deaf boys under his spiritual care. When news of the molestation was brought to the attention of church authorities, Murphy, like many other priests accused of abuse, was merely relocated to a different church while his victims were ignored—a policy, Gibney argues, determined by the Vatican itself.

The Daily Beast spoke with Gibney about Pope Benedict XVI’s culpability in the scandal, the church’s policy of forced celibacy, and a backlash of criticism of his film from a prominent victims’ group.

• The Daily Beast: Explain the title of the film.

• Gibney: There’s a point in mass when you beat your chest three times and say “Mea culpa, mea culpa, mea maxima culpa.” In my day, it was translated “through my fault, through my fault, through my most grievous fault.” That seemed to me a pretty good title for the film. It’s followed by the subtitle Silence in the House of God, which has a double meaning in this context, both because of the deaf survivors and the crimes that the church was silently overseeing.

• The story of sex abuse in the Catholic Church has been told in a number of other recent documentary films. Why retell the story?

• There were two things: this local case, the Milwaukee case, uncovered documents that lead straight to the top, straight to Joseph Ratzinger—then-cardinal Ratzinger, now Pope Benedict. So you could see this sex-abuse crisis not as a few bad apples, but evidence of a rotten barrel. The other thing was, for all the darkness about this story, it was oddly inspirational for me. These guys at the heart of the story, these deaf men, mounted the very first public protest of clerical sex abuse in the United States. This is a case where a priest abused 200 deaf children. What more heinous crime could you imagine? But the victims, who were so marginalized because they couldn’t speak to a hearing audience, nevertheless managed to have a huge impact—from a small parish in Milwaukee all the way to the top of the Vatican.

• You point out in the film that the same thing—Catholic priests assaulting deaf children—happened in Verona, Italy. Was this deliberate strategy, to attack children who were even more defenseless than the average child?

• I think you have to see it as pure predatory behavior. We can accept that there are predators everywhere—Boy ScoutsPenn State—but what the Catholic Church is clearly responsible for is harboring those predators, not punishing them, moving them around [to other parishes]. For a long time, the church has said that clerical sex abuse could either be blamed on the 1960s or the United States—the licentiousness of the country, that’s the problem. We didn’t know about the Verona case when we started the film. It was an exact parallel to the case in Milwaukee. The priests “reach out” to those deaf students because they are helpless. In fact, we found out in Milwaukee that the priests particularly sought out kids whose parents could not [use] sign [language]. So the predator priest (who [knew] sign [language]) was actually an intermediary between the kids and their parents. Horrible.

Boy under the shadow of a Catholic priest.• There is a bit in the film about forced celibacy. But these priests aren’t seeing prostitutes. And we see this happening, for instance, in the Orthodox Jewish community in Brooklyn right now. Is there something particular to the church here? Is there something about religion that allows this to happen?

• What’s peculiar about the Roman Catholic Church is that at the heart of its doctrine is a lie—the lie of forced celibacy. One of the former priests … did a study for the church to try to understand the sex lives of priests and found that over 50 percent of priests, that he could ascertain, were not observing celibacy. So that leads to a system of secrecy and blackmail, a kind of protective quality, with anything that has to do with sexuality. So as a result, I think that predators intuitively or instinctively sought out an environment like that.

• Do you think that if the rules on celibacy were loosened, this would change things considerably?

• I do think in the Catholic Church that if you take away forced celibacy, you take away the inherent hypocrisy and secrecy at the heart of the institution. I think forced celibacy is idiotic. I believe that you can choose to be celibate and that you can train people to be celibate. But if you eliminate forced celibacy, I think you’d eliminate the issues that compel priests to abuse or to keep quiet about the abuse.

• You say that Pope Ratzinger and the former Pope John Paul knew this was happening and covered it up in a Joe Paterno kind of way.

• I don’t see Ratzinger as a monster. I see him as a deeply flawed human being who aided and abetted criminality. I think he is offended by men who abuse their power by abusing children. He says he is disgusted by [the abuse], and I believe him. But he lives within this institution, with this group of men who exist between mortals and the angels, and he favors protecting the institution to protecting the children. That to me is his great crime. It makes him weak, and, ultimately, I think it makes him a criminal.

• One victims group, Survivors Network of Those Abused by Priests (SNAP), criticized the film for it sympathetic treatment of former Milwaukee Archbishop Rembert Weakland, who himself was embroiled in scandal and accused of ignoring sexual abuse in the church. What do you make of their criticism?

• The criticism from the SNAP people, with regards to Archbishop Weakland, was that I was too easy on him, that he was a malefactor also, that he didn’t do nearly enough … They would argue that he aided and abetted crimes by pedophile priests. That may be so. He was a guy who was valuable for a number of reasons. He had a personal connection to Ratzinger—he knew him—and at some moment in time, say what you will about what he had done previously, he tried to do something for those victims. Whether it was a conversion for him or whether it was this particular case because they were deaf children, he sensed that justice needed to be done. So I didn’t want to vilify him. He was also a very famous liberal priest, in terms of economic justice and so forth. In a film like this you can only show so much crime. I left out some stuff about Ratzinger in the film too. The fact is, [Ratzinger] moved pedophile priests around when he was archbishop of Munich. So much depravity, so little time.

We joke around the office that our films are pretty bleak; we make films that make people sick. The thing about Mea Maxima Culpa is that towards the end of the film there is actually a moment of hope and inspiration. These deaf men worked so hard at such odds to have their voices heard. And in some fundamental way they did. They loosed documents that let us understand the magnitude of this crime. It’s an inspiring thing, what they did. And that give me a boost. There was a little bit of bright light in the dark tunnel. – The Daily Beast, 4 February 2013

» Michael Moynihan is an American journalist, publisher and musician. He is best known for co-writing the book Lords of Chaos, about black metal. Moynihan is founder of the music group Blood Axis. Moynihan has interviewed numerous personages and has published several books, translations and essays.

See also

  1. Vatican hideout will protect Benedict from sexual abuse prosecution – Philip Pullella
  2. Fr. Marcial Maciel and the Popes who protected him – Jason Berry
  3. Benedict XVI on child abuse: It’s normal for men and children! – Sign of the Times
  4. Richard Dawkins calls for arrest of Pope Benedict XVI
  5. Benedict XVI: Sex abuse victims urge ICC to prosecute pope – Robert Chesal
  6. Put the Pope in the Dock: The Vatican should feel the full weight of international law – Geoffrey Robertson
  7. The Catholic priests who abused children—and the men who covered it up—must be prosecuted – Christopher Hitchens
  8. Benedict XVI: Sex abuse victims urge ICC to prosecute pope – Robert Chesal
  9. The Pope is not above the law – Christopher Hitchens
  10. Dutch Catholic Church: Not only did it abuse boys, it castrated the whistle-blowers – Robert Chesal
  11. Dutch Child Sex Abuse Archive – Radio Netherlands
  12. Catholic Church abused tens of thousands of children in Holland – Times of India
  13. Catholic Ireland to close its Vatican embassy because of child sex abuse issues – Vaiju Naravane
  14. US Jesuits pay $166,000,000 to sex abuse victims in Oregan – William Yardley
  15. Catholic Church pays $77 million to sex abuse victims – Laurie Goldstein
  16. Buggery and Pope Benedict XVI – Media Reports
  17. Mote and the beam – Sandhya Jain
  18. K.B. Shibu: Sexual depravity in God’s own church – Media Reports
  19. Benedict XVI: Papal infallibility to moral frailty – Sandhya Jain
  20. Vatican: Religion or polity? – Sandhya Jain